Wednesday, 18 August 2010

Peter Gordon: Book & Restaurant Review

Some time back I was invited to a launch event for Peter Gordon's latest book, Fusion: A Culinary Journey.

It was hosted at GBK, the burger chain for which Peter has been a consulting chef since it opened it's first branch in 2001. After enjoying some GBK canapes and drinks, we were invited into the kitchen to watch Peter cook a couple of dishes from the book, which we were each given a copy of on leaving.

Peter cooked two dishes, both of which I enjoyed, especially the egg salad. I've still not tried to make anything from the book yet, though I've flicked through it and am particularly enjoying reading the autobiographical passages about Peter's life and travels and how he developed his unique fusion cooking style.

___

Just a few weeks later I was invited to a winemakers evening hosted at Peter's famous The Providores restaurant.

Showcasing wines by Vin Alto paired with dishes designed by Peter Gordon and Providores head chef, Cristian Hossack, the evening was a relaxed, drawn-out affair lasting nearly 5 hours!

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I had a great time, not only with my lovely fellow-blogger table companions but also because of our utterly adorable waiter (when he smiled, my heart fair skipped a beat) and the lovely bar manager, Melanie Ellis.

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Not much into regular red and white wines, I explained my sweet tooth and cheekily asked if I could skip straight to the 2004 Vin Santo, made in the Italian style. This is what I drank all night, for four and a half hours, which may explain the sore head I had well into the next afternoon!

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Vin Alto, near Auckland in New Zealand, is owned and run by Enzo Bettio and his family and produces several wines in the Italian tradition. Bettio's family are of Italian origin but lived for many generations in Switzerland, operating a gourmet food and drinks business. Bettio's first business in New Zealand, one he ran for over 20 years, was along similar lines – importing gourmet deli goods from Europe. Only on selling the busines in 2002 did Bettio and his wife Margaret purchase the farm though they started making wine several years earlier. As well as wine, the Vin Alto farm also farms deer (supplying fresh meat and cured products to a number of local restaurants and has a restaurant and wine tasting room.

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Having listened to Bettio talk so passionately and entertainingly about his wines and farm, I think it would be a great place to visit!

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The food was, as I expected, pretty good too. Introduced by Cristian Hossack, the menu was as follows:

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Open raviolo of crevette gris and prawns in a light shellfish broth

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Duck liver parfait with caramelised shallots, stone fruit chutney and walnut brioche

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A cutlet of New Zealand lamb with braises shoulder ragout, herbed mascarpone polenta, spinach and curry leaves

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Roast venison with horseradish beetroot arancini, bok choy and bone marrow sauce

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Harbourne Blue and crostini with New Zealand Rata honey

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Sticky chocolate and prune cake with bitter chocolate sorbet

I can't comment on the wine pairings as I stuck to the gorgeous vin santo throughout! Oh, and the delicious Vin Alto Limoncello which was absolutely superb!

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Monday, 16 August 2010

Pete Drinks: Black Isle Red Kite Ale


Name: Black Isle Red Kite Ale

ABV: %4.2

Bottled/ Draft: Bottled

Bottle Conditioned: No

Bottle Size: 500 ml

Price: £2.19 from Abel & Cole

Colour: Amber

Clarity: Bright

Head/ Bubbles: Short lived head, not over fizzy. Positively exploded from the bottle, which is surprising for a non-bottle conditioned beer.

Mouthfeel: Fine bubbles, almost bottle conditioned.

Taste: Gentle malt flavour, well balanced with the hops.

Comment: A very easy drinking beer, that is a clear winner over the brewery's Yellowhammer (which is, rather oddly, the award winner!) - it's possible that it's just down to the fact that this beer seems to handle being bottled far, far better. Far from the 'tizer' feel of it's stablemate, the fizz is well controlled and doesn't overwhelm what is a tasty and enjoyable bottle.

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Sunday, 15 August 2010

Chocolate Weetabix Giveaway

I love my cereal but I'm a bit of a kid about it. I like Lucky Charms, Crunchy Nut Cornflakes, Cinnamon Grahams (Curiously Cinnamon is stupid name and I've stopped buying them in protest), Coco Pops Mega Munchers and my own Jordans Country Crisp into which I put at least as much chocolate and fruit and nuts as cereal.

Taste is important to me and, when it comes to cereal, as with so much else, I have a sweet tooth.

(I'd have to be brain dead before I'd voluntarily eat the cardboard that is Bran Flakes – I don't care how good for me they might be! )

But even I am not stupid enough to think it's a good idea for me to eat a bowl full of sugar each and every morning.

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So I was intrigued when I heard about the new Weetabix Chocolate described as "a healthier chocolate cereal". launching this month.

What's it like?

It's exactly like regular Weetabix but with a subtle chocolate taste. It isn't massively sweet – the chocolate just lends a flavour. It's sweeter than it's Plain Jane sibling but not jarringly so and certainly significantly less sweet than the candy concoctions I mention above.

I like it, and I feel I'm having a (comparitively) virtuous breakfast at the same time.

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I have two boxes to give away. Leave me a comment about your favourite breakfast – cereal or otherwise – and I'll send one box each to two of you picked from comments left by the deadline – midnight GMT 23 August 2010. Open to UK residents only.

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Saturday, 14 August 2010

Dishoom Dishoom

In one of life's odd little coincidences I was telling someone about "dishum dishum films" just a day or two before I first heard about Dishoom, a new London restaurant modelled on Bombay Cafés.

Dishum or dishoom, however you wish to spell it, is the Indian version of Kapow! – that exaggerated noise when a fist connects with the flesh of a baddie in a superhero cartoon or film.

There are many staples to the traditional Bollywood "fillum" – much singing and dancing in an outrageously huge wardrobe of ever-changing and colourful outfits, a beautiful heroine, a handsome goodie and the villainous but appealing bad-boy with whom the goodie exchanges some dishum dishum!

This I knew.

But what is a Bombay Café?

Back at the turn of the 19th to 20th century, Persian immigrants to Bombay (now Mumbai) started a trend for local all-day cafés based on the style of elegant European coffee houses. These were grand and airy spaces, indolent fans barely turning through the thick hot air, a clutter of bistro-style chairs and tables, ornate mirrors on the walls, and family portraits on the walls…

All of life happened in these cafés from brisk business breakfasts to leisurely family lunches, friendly and loud social gatherings to peaceful interludes reading the newspaper with a cup of chai, earnest authors eating brain food whilst penning their next masterpiece to local workers on short breaks…

From their hey day in the 1960s, when there were nearly four hundred such cafés in Bombay, now there are fewer than thirty remaining, though perhaps a sense of nostalgia amongst Mumbaikars will save the surviving institutions.

Time to see if London takes to this all-day dining experience.

Dishoom Bombay Café in London

Three of the owners of Dishoom (two brothers and a family friend) have no previous restaurant experience but plenty of business acumen and a deep love of the Bombay Cafés of India. The fourth partner has a background in the hospitality industry. Together they are all set to find out what London thinks of the Bombay Café culture.

The predominantly wooden furniture, brass fittings and high white ceilings feel French. The (presumably deliberate) chaotic wiring of the ceiling lights and the many family portraits on the walls feels Indian. The effect is attractive and quirky. I like it.

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Even the loos meet with my approval, with their feature wall cabinets full of Indian branded toiletries!

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thanks to Pete for the pictures – I didn't take my camera with me when I visited, so he kindly did the honours

We are quickly seated in a comfy booth and told a little about the restaurant by our waitress who explains that everything is served when it's ready. She advises us that we can order a few of the small plates to start and then order some additional dishes afterwards, if we'd like to linger, or order everything at once if we'd like to be out sooner.

Dishoom Drinks

We start with drinks, an Alhambra Especial (£3.90) for Pete and a bhang lassi (£5.90) for me.

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The Alhambra Especial is a fairly ordinary lager, perfectly acceptable, nothing special.

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The bhang lassi is described as fresh ginger, mint and hints of Bombay spice - with rum (or without). I opt for "with", of course. Unfortunately, when it comes, it's really disappointing. The only flavours I can make out are mint and rum. There are spices on the top but very little taste of them in the drink itself. I cannot detect the ginger or yoghurt flavours no matter how hard I try. And it's too thin too. I'm a huge fan of lassi so this is quite disappointing, especially given that yoghurt should be the main ingredient and a dominant flavour.

I intended to go on and order some of the other lassis such as the rose and cardamom or mango and fennel versions. But fear of similar lack of yoghurt put me off.

Luckily, our second round of drinks, ordered later during the meal, goes down better.

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Pete's second tipple is the Meantime Union (£3.90), a rich Amber beer which he is familiar with and enjoys much more.

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I cannot resist a Thums Up (£2.50) cola.

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As a kid, during our many visits to stay with family in India, I was fascinated by this all-Indian brand. Coca Cola left India in 1977 (rather than reveal it's secret formula to the Indian government and reduce it's equity stake in it's Indian subsidiary). In a market suddenly devoid of the famous cola, Thums Up was quickly launched by the Parle brothers, the makers of Limca lemon and Gold Spot orange. I remember all three vividly.

In the 1990s India opened up again to foreign multinationals, but Pepsi were the first in and gained a decent market share against Thums Up. The two cola brands were fiercely marketed against each other.

When Coca Cola returned to India in 1993, they initially joined the existing battle before buying out Parle and the Thums Up brand. Though Coca Cola considered killing off the Thums Up brand, they realised Pepsi would benefit from such a move far more than they would, and instead, re-launched it as a manly and adult drink.

Of course, as is often the case with childhood memories, the reality doesn't live up. I discover that I don't care for the oddly spicy taste (to me, it tastes strongly of cumin but web searches reveal that the extra dimension comes from the betel nuts that are part of the recipe). It's not as sweet as Coca Cola either, which may appeal to some drinkers.

I do love the scuffed bottle – that definitely reminds me of buying fizzy drinks in India. There, glass pop bottles are recycled. Customers get a tiny refund for returning the empties and these are sent back to the manufacturers for re-use.

Dishoom Small Plates

On to the food: To start with, we order some Café Crisps (£1.90), Lamb Samosas (£3.90) and Keema Pau (£4.50).

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The crisps are wonderfully thin and crunchy, loaded with spice and served with three dips – a sweet sour tamarind sauce, a tangy green chutney and a fiery hot salsa. A good start!

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The samosas are nice but not amazing. Pete comments on the thickness of the wrapping but it is more authentic than the filo pastry that is commonly used in the UK. For me, the main disappointments are (low) volume of lamb to vegetable and far too much cinnamon. Oh and these are HOT! I'm a chilli wuss but even Pete reckons they packed a slightly too hefty chilli punch. I would like the chilli to be toned down just a fraction.

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The keema pau (toast) is great. The keema itself is really lovely – a well-spiced, dry-ish mix – we both love it. The muffin toasts are a bit limp, they could do with a little more time in the toaster. I'd also appreciate the option to switch the toasts for a roomali roti.

After we've finished these, we place our order for some mains, choosing Sheekh Kabab (£6.90) and Paneer & Mushroom (£6.90) from the Grills section, a Lamb Biryani (£8.20) and a Roomali Roti (£1.70) and Raita (£1.90) as sides.

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Oh, this is a lovely, lovely sheekh kabab! Really moist, smoothly minced (possibly even pureed) and packed with flavour. We both love this one!

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The paneer & mushroom too is a lovely dish, though I'd like a more generous portion for the price and would rather have more mushroom in place of the ubiquitous green and orange peppers. But the paneer is clearly home-made with that perfect balance between firm and crumbly. The marinade is delicious and clung nicely to the cheese cubes. And the cubes are cooked well to give those lovely charred edges.

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I seldom order biryani Indian curry house takeaways – they're so often completely alien to the dish I know by this name. We are therefore delighted to be served our biryani in a small clay pot, the rice and meat sealed inside for cooking in the traditional method – a strip of pastry used to glue the lid onto the pot. Opened at our table, steam and aromas spill out and we sigh appreciatively. Layers of rice, flavourful cooked onions and lamb. The rice and onions are delicious. The lamb needs reworking – it's bland and a little too tough – I wonder if a tenderising marinade before cooking the meat might help, or simply more spices added when cooking the meat? Still, this already beats most biryanis I've had in the UK, so we're talking a little tweaking here, is all.

Next to the biryani you might just be able to see a dish of raita. Made from thick, full-flavoured natural yoghurt with crunch from cucumber and onions and just the right subtle touch of spicing, it's the perfect side-dish to balance our other choices.

If they have such lovely yoghurt in their fridge, why are the lassis so lacking in yoghurt flavour?

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The roomali roti is a marvel. Light and as soft and pliable as a sheet of cotton we use it to scoop up bites of kabab and paneer and it's gone far too quickly.

We have just enough space for desserts.

Pete chooses the Chocolate Fondant (£4.70).

As I start to order a Malai Kulfi (£2.50 with mango and chocolate the other two listed flavours) our waiter explains that they have no malai (cream) flavour available but they do have pistachio available today, which makes me very happy.

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I had my doubts about an Indian restaurant's ability to turn out a decent chocolate fondant but I should wash my mouth out with Lux! The fondant is perfectly cooked to be soft and gooey inside and has a really good quality chocolate flavour, dark and luxurious. Pete's not too happy when he realises the ice-cream is cinnamon flavour, not something he's a fan of, but he quickly retracts his initial objection muttering about how it actually works well with the dark chocolate.

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My pistachio kulfi is pretty good though not the best I've had by a long shot. The texture is spot on – rich and creamy. But the pistachio flavour doesn't come through as much as the colour would suggest – it tastes more like a plain kulfi to me. Then again, I was intending to order a plain malai (cream) one so… I'm happy anyway!

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Desserts done, we order Chai Chocolate (£2.20) and Caffè Latte (£2.20). Pete says his latte is one of the nicest he's had for a while. I enjoy my spiced hot chocolate. Both of us like the small glasses in which the hot drinks are served – much nicer than American-style venti portions.

One of the three owners, Amar, comes by to our table for a chat. We talk about the history and definition of Bombay Cafés, a little about the design and launch of Dishoom and we share memories and stories of India. Talking of memories, I mention mine of Thums Up and Limca and am very happy when Amar says he's hoping to put Limca on the menu if he can find an importer to bring it in for them.

He also points to one of the wall-mounted photographs hanging above our booth and identifies his mother, and again in one of the photographs on their menu. The menu photo reminds me of a gorgeous black and white of my own mother in the 1970s…

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Amar insists we try the Gola Ice (£1.90) and has two of the pomegranate and chilli flavour ices delivered. (The other flavour on offer is passion fruit and ginger). The chilli kick is too hot for me, but I think these simple ices, served in sweet little glasses, are a lovely, light and refreshing alternative to a heavier pudd, if you haven't the space.

We've had a really lovely evening. The atmosphere, food and service has put a smile on our faces and the evening has felt like a proper date, much more so than our many visits to more formal restaurants, which surprises me.

We've been invited to review, so the service we've received might be atypical. That said, although the owners and floor manager know about our visit, I'm not sure the waiting staff have been told, and certainly, we over hear them treating other customers just as warmly and helpfully.

Our bill would have come to around £40 each or a touch over, which may seem a lot, but we have tried a wider selection of dishes and drinks than we would probably choose for a weekday evening meal. I wanted to sample and review a reasonable range of what is on offer. Plus we're greedy.

You could enjoy a drink, starter (or small plate), main and a couple of sides for £20-£25 per person.

Of course, one of the things I particularly like is that Dishoom welcomes those looking for a quick snack or drink from breakfast through to dinner, or a longer, more relaxed affair. Whilst we have been relaxing in our comfortable booth, many customers have come and gone, stopping just for a drink or a few plates to share. Others have lingered, as we have.

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What's my final verdict? A big Thums Up!

Dishoom on Urbanspoon

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Wednesday, 11 August 2010

Food Styling & Photography Lessons from Alastair Hendy

Lucky me was invited to a food photography workshop held in the rather swish Irish embassy.

Organised by Bord Bia (the Irish Food Board) and hosted and introduced by the Ambassador of Ireland, H.E. Bobby McDonagh , our teacher was the talented Alastair Hendy, a successful food photographer, stylist and writer.

Our class took place in the beautiful and ornate ballroom, with fantastic Irish food and drink products on display not to mention proffered in the form of canapés and drinks.

Before too long, we sat down and listened earnestly to Alastair's best tips on food styling and photography.

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Some of Alistair's helpful advice:-

  • Chocolate, ice-cream and figs can virtually make food magazines walk out of the shop door – this goes a long way to explaining why magazines seem to come back to these themes again and again and again and again!

  • When taking images of food to illustrate a themed post or article, it is really important to make the main ingredient stand out as the star. This seems obvious but is sometimes forgotten in the rush to showcase quirky and colourful props.

  • Alistair often creates collages or series of images around a theme. He shared several such collections with us via a slide show, stressing the importance of working to a visual colour palette. In one collection about Scandinavian recipes, it was easy to pick up the brown, beige and white palette. In another, Alastair teamed brown and white with cool blue – not a colour I'd have thought of for an autumnal feature on walnuts, but it worked!

  • When shooting a series of images, go for as wide a mix as possible – shoot scene-setting landscapes and cityscapes, people portraits, close-ups of isolated details and of course, the food and drink itself. When trying to set mood and place, throwing in a simple image of a single Christmas tree decoration or a selection of worn cutlery can contribute to a themed set.

  • When shooting your close-ups of food and drink, avoid using bright direct sunlight as your light source – it can really bleach out colour. Instead shoot in the shade. And never use a flash!

  • As well as lighting, Alastair uses white balance creatively to enhance the mood of his shots, expressing a preference for a slightlier bluer colour tone than neutral, though not so much as to make the food look cold. (I always shoot in RAW for the flexibility it gives me to adjust white balance during processing without degrading image quality, as can happen when adjusting colour balance and contrast on a JPEG file.)

  • Unlike many food stylists and photographers, Alastair prefers serving up decent portions rather than unnaturally tiny ones.

  • Working on a surface the height of a coffee table rather than a standard desk or dining table makes it much easier to shoot from different heights without clambering onto chairs for the top-down shots.

  • When it comes to styling food, Alastair has a number of tips:- don't overuse the water effect – spraying a mist of water onto some raw fruit or vegetables posed in a colander fits the context – doing the same for food that's been plated up doesn't!

  • Although it's no longer new, the trend for white on white is a classic and it still looks great. It's great when you want all the attention to be on a star ingredient.

  • Shots of partially (or completely) eaten dishes or items are great for expressing tastiness but should be set up – no mucky smears or dirty napkins.

  • Including cutlery and other naturally reflective props can be a problem if they are too shiny. There is apparently such a thing as dulling spray that will take the shine off and allow them to blend into the background better.

  • Although Alastair has a real talent for food styling within his home studio, he's also a very skilled travel photographer. His motto is "if you see it, shoot it!" – don't assume you can come back later.

    (As a keen travel photographer, this is something I have absolutely learned, often through bitter experience)

After the presentation we split into groups around the various tables of food and drink products. To my surprise, only two of us chose the sweets and chocolates products, myself and Sarah (Maison Cupcakes). You can see her excellent post on 21 Tips from Alastair here.

I think we did a great job between us of choosing and agreeing on props and colour themes, both drawn to pink, white and blue.

I really wanted to achieve some shallow depth of field images (as I'm a huge fan of these in food and travel magazines), which meant using my 100mm macro lens. The downside of this was the need to use a tripod and how awkward it was to position the camera at a sufficient distance and angle. I have only previously used the tripod when shooting wildlife from a distance, which requires far less frequent adjusting of camera position and height – quite a fiddle!

Here are my favourite images from the session:-

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The pretty pink and silver of Hadji Bey's Turkish delight sweets and box (made in Cork City) worked well against the blue paper backdrop, white napkin and simple glass bowl. I don't usually like cutting off edges – I'm a fan of negative space around the main object – but I like both versions. The one on the left might work better for a magazine wanting space for a text caption.

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Sarah spotted this sweet little glass bottle into which we transferred colourful beans from The Jelly Bean Factory. The Berry Burst mix gave us some hot pinks and a rich blue which looked great against the blue paper backdrop we'd already chosen. I found it really hard to scatter the beans in an attractive and natural-looking pattern and especially difficult to position some within the neck of the bottle.

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After playing with the jar we tried the jelly beans in a saucer and cup, layering a larger plate beneath the saucer to give us a pink blue pink blue layered effect. I had hoped to have a few more beans sitting loose in the saucer but they quickly rolled down against the bottom of the cup. Perhaps tiny pieces of blue tack might help next time.

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We also spent some time trying to style this chocolate and fruit cereal bar but I wasn't completely happy with any of my images – I think we both found it hard to make the bar look good, visually. However, I'd been wanting to use this gingham fabric for something, and I think it works well against the plates and napkins. This is the only shot where I'm happy with the shape and lie of the napkin folds beneath the plates.

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For our last few shots we returned to the pretty pink Turkish delight, arranging them in this gorgeous moss-green vintage tin. We put empty boxes inside to give the greaseproof paper and sweets some height, but again, the skill of artful arranging was tough to master. I also wish I'd noticed the oddly shaped torn protrusion of paper, which is distracting. I did place an extra cube of Turkish delight into that obvious gap at the back for a subsequent shot, but missed the focus!

Collage Mini

I also wish I'd taken more close-up detail shots so I could create some collages, a speciality of Alastair's that he uses to great effect in many of his published articles. I've tried to make a small one to show the idea, but it would be more effective with more images of more varied content.


I hope you've enjoyed this glimpse into the world of food styling and photography.

Many thanks to Alastair Hendy, Bord Bia and the Irish Embassy for a lovely evening.

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Monday, 9 August 2010

Chateau d'Yquem Tasting & Dinner

I have a sweet tooth.

Drinks of choice remain sugary concoctions such as Midori, Pimms & lemonade, Amarula, Dr Pepper, Coca Cola.

Yes, really. No, I'm not fifteen.

More accepted in adult circles is my deep and abiding love for dessert wines including honeyed French seducers Monbazillac, Coteaux du Layon and the various Muscats, aromatic American Black Muscat, forceful Iberian Muscatels, refreshing German Beernauslese Rieslings and don't even get me started on the heavenly Spanish treat that is Pedro Ximénez! (I'm yet to try Tokaji but it's on my wish list.)

It will therefore come as no surprise to you that I'm rather an avid fan of Sauternes.

Usually, I am very content to drive Pete around the vineyards of France or South Africa, on holiday, encouraging him to try and buy as I happily look on. But I have fond memories of the role reversal in Sauternes, France and our visits to a number of local producers, including the charming elderly lady who decided Pete was the spitting image of her grandson-in-law and that this merited an extra warm welcome and prolonged tasting session!

But I'd never tried a Château d'Yquem.

(Not least because a bottle of the precious liquid usually retails for hundreds of pounds!)

Let alone enjoyed a side-by-side comparison of four Château d'Yquem vintages at once!

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So when my friend Leonid at Bob Bob Ricard proposed such a tasting, I was very quick indeed to sign up. Alongside the 2002, 2001, 1996 and 1983 Yquems we would also be treated to some suggested food pairings including blue cheese, fresh peaches and lobster linguine.

The £125 price tag may sound steep but when you take into account the normal cost of each bottle, not to mention the accompanying meal, it reveals itself as a bit of a bargain.

  • Château d'Yquem 2002 sells for £119 a bottle at Bob Bob Ricard (and £310 a bottle at Alain Ducasse).
  • Château d'Yquem 2001 sells for £266 a bottle at Bob Bob Ricard (and £750 a bottle at Apsleys).
  • Château d'Yquem 1996 sells for £145 a bottle at Bob Bob Ricard (and £750 a bottle at Gordon Ramsay, Claridges).
  • Château d'Yquem 1983 sells for £246 a bottle at Bob Bob Ricard (and £495 a bottle at Helene Darroze).

So it made a lot of sense to share the costs between 8 of us (Leonid and fellow BBR owner Richard, Patrick Carpenter, who lead the tutored tasting and 5 guests).

So what did I learn about the wine?

Sauternes is located in the Graves area of the Southern Bordeaux vineyards. Its distinctive dessert wine is made from the Sémillon, Sauvignon Blanc and Muscadelle grape varieties and the grapes have been affected by botrytis cinerea. In a suitable climate (humidity followed by dry heat), this fungus (also known as noble rot) attacks the grapes. Although it feeds on the sugar, it also breaks the skins of the grapes, causing evaporation of the water within them and thereby concentrating the sugar content significantly.

Château d'Yquem, considered to be the finest of the Sauternais wines, is the only one to merit the Premier Cru Supérieur classification.

What makes Château d'Yquem different?

Firstly, the site makes the grapes very susceptible to the essential noble rot fungus. Secondly, and perhaps more importantly, it's height means that the morning mists leave Yquem before they clear from any other Sauternes vineyard, giving the Yquem grapes precious extra time in the sun and causing the grapes to ripen and shrivel further.

Why such high prices?

Producing Sauternes is an intensive process. Firstly, just in terms of volume, a single vine produces far less volume of wine than one used to make regular red or white drinking wine. Château d'Yquem vines produce even less volume of wine per vine than their Sauternes neighbours. Secondly, the picking must be done manually over a 6-8 week period during which individual grapes are picked from each bunch as and when they are considered ready. That's a lot of labour! The exception (for Château d'Yquem) was 1983 when, very unusually, all the grapes shrivelled together, which allowed for one single picking!

How did it taste?

2002
I was gratified, on blurting out "tree" as I first sipped the 2002 vintage, to learn that the wine is aged and fermented in 100% new oak, in small 225 litre barrels which allows the wine to take on flavours from the wood. The other predominant smell and flavour that came through for several of us was toast. I couldn't detect the iodine/ sea smell that Patrick picked up. I enjoyed the wine greatly, it had a delightful sweetness with lovely scent and flavour. 8/10

2001
Although the smell had much in common with the 2002 vintage, the 2001 was far more honeyed, like a rich syrup. It's additional sweetness and wonderful fruit flavours were delightful and I particularly loved it with the blue cheese. 10/10

1996
Our third vintage had a much deeper amber colour than the rest. "Too orangey for crows", I thought. Patrick immediately gave the perfect description of it's predominant flavour – the "twang of marmalade aftertaste, like the pith, bitter". For me, what also came through most strongly in this vintage was the "musty, dusty paper" aroma of the botrytis cinerea. Other comments that tickled my fancy were Richard's "lion wee in the sun" and someone else's "old man in a cardi"! Of the four, this was the most complex in terms of smells and flavours. 7/10

1983
A much more subtle smell than the others – not a tired nose though, I did a direct comparison to the previous three, of which I still had some remaining. I didn't love the taste either, I found this one too acidic. 4/10

It was only afterwards that Patrick explained to us about the varying sugar contents, with 2001 unsurprisingly the highest by a significant margin, followed by 2002 and 1996 at similar levels. Whilst he didn't have a residual sugar level for the 1983, my tastebuds tell me it was quite a bit less than the others.

Isn't it just typical of me that my favourite turns out to be the most expensive?

I didn't know the prices or expert opinions on any of the vintages in advance but it comes as no surprise to read, in the Bob Bob Ricard wine menu, that "with 100 points from both Robert Parker and The Wine Spectator, the 'perfect' 2001 hardly needs an introduction."

Some photos of the evening:

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Patrick, on the right

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Leonid, on the left

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Richard, at the far right

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Me, on the left

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My first three Yquems

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Lobster linguine

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Dessert of fresh strawberries and basil in cointreau syrup with an almond cream

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